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5 things I've learned from working with linkedin marketing

February 8, 2026

There’s no shortage of advice about LinkedIn marketing. Post often, be personal, use visuals, don’t sound salesy. Most people already know the basics.

What I’ve learned from working with LinkedIn marketing from a UX, communication, and visual perspective is that posts rarely fail because the message is bad. They fail because they’re hard to consume in a fast-moving feed.

Here are five lessons that consistently make a difference.

There’s no shortage of advice about LinkedIn marketing. Post often, be personal, use visuals, don’t sound salesy. Most people already know the basics.

What I’ve learned from working with LinkedIn marketing from a UX, communication, and visual perspective is that posts rarely fail because the message is bad. They fail because they’re hard to consume in a fast-moving feed.

Here are five lessons that consistently make a difference.

Scannability beats great writing

People don’t read LinkedIn posts the same way they read articles or reports. They scan while scrolling, often distracted, and usually in a hurry. Because of that, scannability often matters more than elegant writing.


Shorter paragraphs, clear spacing, and intentional line breaks make a post feel lighter and easier to enter. Even strong copy can underperform if it looks dense at first glance. If a post feels long before someone has started reading, it usually won’t get read at all.


More on why you shouldn't write too much text here:

Too much text is bad for user experience


This is less about writing skill and more about adapting to context. A LinkedIn post lives in a fast-moving feed, surrounded by notifications, comments, and other people’s content. If it doesn’t feel approachable at first glance, it rarely gets a second chance.


Most LinkedIn posts don’t fail because the content is bad, but because they’re hard to consume in a fast-moving feed.

Hooks matter more than headlines

LinkedIn isn’t a blog, and posts aren’t discovered through headlines. The first one or two lines do almost all the work. If they don’t spark curiosity or feel immediately relevant, people keep scrolling.


A common mistake is trying to summarize the entire post at the top. On LinkedIn, that removes the incentive to continue. A good hook doesn’t explain everything, it creates just enough tension for the reader to want more.


Think of the hook as an invitation rather than a conclusion. If it doesn’t work, the rest of the post never really enters the conversation.



Visual hierarchy applies to text posts too

Visual hierarchy isn’t limited to design or images. It applies to text-only posts as well. The way a post is structured helps the reader understand what matters, where to start, and what can be skimmed.


Spacing, paragraph length, rhythm, and repetition all contribute to hierarchy. When everything looks the same, nothing stands out. The reader has to work harder to find an entry point.


Posts that perform well often feel quietly designed, even when they consist of nothing but text. The structure does part of the communication before the words are even read.



Walls of text quietly kill reach

This is something I see even experienced marketers struggle with. A post can be interesting, relevant, and well written, yet still perform poorly.


Large blocks of text increase friction. When a post looks demanding, fewer people read it. When fewer people read it, fewer people engage. And when engagement drops, reach follows.


Breaking text into smaller sections isn’t about simplifying the message or lowering quality. It’s about reducing the effort required to start reading in the first place.



Scroll-stopping images usually include people

When images are used, posts often perform better. And in many cases, images with people and faces stop the scroll more effectively than polished brand visuals.


Eye contact, real expressions, and slightly imperfect photos tend to feel more human in the feed. LinkedIn may be a professional platform, but it’s still social, and people respond to other people.


This is also where overly “on-brand” visuals often fall short. Clean, generic images may look good in isolation, but they’re easy to ignore in a busy feed.


Final thought

None of these points are secrets, and most professionals are aware of them in theory. Still, they’re often overlooked in practice.


Good LinkedIn marketing isn’t about tricks or algorithms. It’s about reducing friction and designing content for how people actually behave. When posts are easy to scan, easy to enter, and easy to engage with, they tend to perform better over time.


Focus area

What usually goes wrong

What works better on linkedin

scannability

dense paragraphs that feel heavy

short paragraphs and clear spacing

hooks

summarizing the post too early

creating curiosity in the first lines

visual hierarchy

everything looks the same

rhythm, structure, and emphasis

text length

walls of text that increase friction

content that feels easy to enter

images

polished but generic visuals

real photos, often with people and faces


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Explore my work

Web Design

Karlsson Bil is a car dealership based in Varberg, specializing in buying, selling, and restoring vehicles, including the exclusive Lignon Scandinavia line of handcrafted Land Rover Defenders. I worked on designing a website that blends the heritage of the classic Defender with a modern, sleek aesthetic. The focus was on creating a smooth, intuitive browsing experience, making it easy for users to explore the inventory, learn about bespoke restorations, and navigate the buying and selling process with confidence.

Karlsson bil

Karlsson Bil is a car dealership based in Varberg, specializing in buying, selling, and restoring vehicles, including the exclusive Lignon Scandinavia line of handcrafted Land Rover Defenders. I worked on designing a website that blends the heritage of the classic Defender with a modern, sleek aesthetic. The focus was on creating a smooth, intuitive browsing experience, making it easy for users to explore the inventory, learn about bespoke restorations, and navigate the buying and selling process with confidence.

Tools used

Wix Studio & Custom code

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Carin Fredén

Carin Fredén is a Malmö-based photographer and photo editor specializing in high-quality business photography and visual branding. Her website showcases her work and services, helping businesses enhance their visual identity through images.

Tools used

Wix Studio, Figma & code

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Tek-ture

Tek-ture is a cutting-edge architectural firm with a focus on modern and sustainable design. For this project, I recreated their website from scratch, ensuring it maintained the original futuristic feel and functionality.

Tools used

Wix Studio

UX & User testing

Asekio is a Skåne-based tech startup with a vision to create a no-code AI website builder that can generate fully customizable websites in just 29 seconds. Users  input prompts, and Asekio handles the layout, text, and images. 

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Figma, Figjam & Asekio

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